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The Zamir Chorale of Boston is launching a new online resource intended to share the breadth and beauty of the repertoire that has been its specialty for 50 years. The chorale’s founder, Joshua Jacobson, explains why he believes choral music from Jewish traditions will be a welcome discovery for choruses of all kinds.

Aiming to foster a more welcoming and connected choral community in the city of our 2019 Conference, Chorus America has been bringing representatives of Philadelphia-area choruses together since last October for a series of workshops and online learning activities called “Voices of Change: Building a More Inclusive Choral Community.” Led by Nicole R. Robinson, a music educator and the founder of the consulting firm Cultural Connections by Design, the project is intended to support choruses in considering diversity, equity, and inclusion in their work and to explore strategies for increased communication and collaboration between different kinds of choruses.

How can choruses explore music from cultures other than their own in a respectful way? Rollo Dilworth’s research provides a framework for thinking about cultural appropriation and its intersection with choral music.

One of the most important ways to encourage the health of choral music is for choruses to become involved in the process of commissioning and premiering new works. Chorus America has been democratizing this process for over a decade through its Commission Consortium program, which enables a wide variety of choruses to participate in this exciting work. Recently, the concert tour company Classical Movements became a leading partner of this program—a development that promises to enhance the program’s reach. Here’s a look at the Commission Consortiums opportunities for 2019.

We asked the chorus leaders we interviewed for our 2018-19 Winter Voice article “Cause for Celebration” to pass along practical lessons learned from their experience planning anniversary seasons. The wisdom they shared ranges from knowing when to start to knowing when to stop.

Churches are the traditional performance venue of choice for many choral music organizations. But as rental costs rise and competition for event space becomes tighter, choruses are feeling the squeeze. Here are a few innovative, affordable solutions they’ve found.

North American choruses are anticipating a wave of major anniversaries in the coming years, and their leaders are hard at work preparing to mark the occasions. The most thoughtful celebrations honor a chorus’s past achievements, while laying the groundwork for an even stronger future.

Planned giving, also referred to as gift planning or legacy giving, is the act of making a commitment to give a charitable organization a gift, typically as part of a donor’s will or estate plan. It’s something that many choruses are interested in pursuing, but don’t know where to start or worry that the process will be complicated.

Asking your chorus members to re-audition may be the single greatest test of the notion that choruses can create outstanding art and at the same time create meaningful community. Artistic leaders, managers, and singers who have experienced re-auditioning in volunteer choruses large and small talk about its benefits and pitfalls, and explain how they have managed this delicate process.

More and more choruses are developing in-school programs in partnership with local schools and nurturing their own youth choruses. In doing this work, they are learning that successfully involving more young people and their communities in choral singing often involves meeting them where they are.

Looking for a group singing outlet, but unable to commit to a weekly rehearsal? Worried that you need to shake off some rust before joining a “serious” ensemble? Have no fear—relaxed opportunities with smaller time commitments are popping up across the country.

Now more than ever, it’s important for choruses to understand their rights and responsibilities regarding the use of published music. New technologies are changing the way organizations purchase and use copyrighted materials. To complement a session at the 2018 Chorus America Conference, five music publishers talk about the key questions they are facing.

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